Pedro Wirz (BR/CH)

André Sousa (PT)

Wieland Schönfelder (DE)

Zoë Claire Miller (USA)

Alisa Heil (DE)

Elif Erkan (DE/TR)

Zuzanna Czebatul (DE/PL)

Chelsea Culprit (USA)

Mauro Cerqueira (PT)

Marco Bruzzone (DE/IT)

Naama Arad (IL)

Murat Adash (DE/TR)


Kunsthalle Freeport, Paroxysm of Union, Chelsea Culprit

Kunsthalle Freeport, Paroxysm of Union, Chelsea Culprit
"Hugging someone who hurt you", Chelsea Culprit, 2017


Kunsthalle Freeport, Paroxysm of Union
Installation View, Paroxysm of Union


Kunsthalle Freeport, Paroxysm of Union, Zuzanna Czebatul
"Shores of Abundance XI", Zuzanna Czebatul, 2017


Kunsthalle Freeport, Paroxysm of Union, Andre Sousa
"Numismatic Architecture", André Sousa, 2017


Kunsthalle Freeport, Paroxysm of Union, Alisa Heil, Abraham Winterstein
"Sacred Conspiracy", Alisa Heil, 2017


Kunsthalle Freeport, Paroxysm of Union, Naama Arad
"Girl", Naama Arad, 2016


Kunsthalle Freeport, Paroxysm of Union, Marco Bruzzone

Kunsthalle Freeport, Paroxysm of Union, Marco Bruzzone
Untitled (4-8), from the series “Hot Neutral Ground", Marco Bruzzone, 2017


Kunsthalle Freeport, Paroxysm of Union

Kunsthalle Freeport, Paroxysm of Union, Elif Erkan
"What is it that possesses me? (Scorpio: accidents and mischievous friends)", Elif Erkan, 2017


Kunsthalle Freeport, Paroxysm of Union, Pedro Wirz
"Perna Suada (Sweaty Leg)", Pedro Wirz, 2016


Kunsthalle Freeport, Paroxysm of Union
Installation View, Paroxysm of Union


Kunsthalle Freeport, Paroxysm of Union, Wieland Schönfelder
"L'Assadio di Padova 1509", Wieland Schönfelder, 2016


Kunsthalle Freeport, Paroxysm of Union
Installation View, Paroxysm of Union


Kunsthalle Freeport, Paroxysm of Union, Zoë Claire Miller
Untitled, Zoë Claire Miller, 2017


Kunsthalle Freeport, Paroxysm of Union, Mauro Cerqueira

Kunsthalle Freeport, Paroxysm of Union, Mauro Cerqueira
"Vida Ruina", Mauro Cerqueira, 2017


Kunsthalle Freeport, Paroxysm of Union, Sarah Wang
"Movement beyond the shelter of a false objectivism toward a flesh war", Sarah Wang, 2017


Kunsthalle Freeport, Paroxysm of Union, Murat Adash
"The Trial", Murat Adash, 2017


Movement beyond the shelter of a false objectivism toward a flesh war.

The widespread circulation of its meaning will offer a curious spectacle.

The precept of morality, the wild desert and its perennial burn, involves the primacy of

nature’s gestures contained within materiality.

On the other hand, immateriality is how we drown, each heartbeat a system detecting a

presence behind the surface.

We are in no way qualified to assess the worth of the sky, express the position you

occupy, or stroke the jungle as a way to silence love.

Forget Europe. Forget divorce. All that is rational is not real.

Repetition is a function both of synthesis and integration.

Individual and collective life break down a unitary landscape, the manifestation of a


progressive self-consciousness.

When the union of the first and second person presents itself as possible, we might call

this our chance to invent.

Resist the slavery of a manicure.

The latter concerns desire.

Text by Sarah Wang




Address: Spirou Trikoupi 39, Athens 10683, Greece


Opening: April 8 from 6-10pm

Exhibition times: April 9-22 from 3-6pm